Monday, November 23, 2009

Congratulate Someone For Having Baby

JOURNALISM: Tijuana Moods Charles Mingus and






THE CONQUEST OF JAZZ



* Charles Mingus Tijuana Moods and
* Dissemination of jazz in the State







are the emperors of jazz in the region, Jason Robison, Rob Thorsen and Paquito Villa, who settled in San Diego and Tijuana summon Jason Robison Trio, The Crossborder Dreyfus Trio or Quintet for concerts in the ICBC or the Antigua Bodega de Papel.
His "art style has left a pleasant taste," said Cecilia Navarro García on the participation of Jason Robison Trio at the Jazz Festival to the Cultural Institute of Baja California held in September.
La Antigua Bodega de Papel became a bustling campus with banners to welcome to The Dreyfus Quintet. This time a group formed by bassist Rob Thorsen, Paquito Villa battery (Mexicali), guitar Joe Carano, tenor saxophone Jason Robison and alto sax of Dick McGuane. The concert was sponsored by radio station dijazz.com where you can hear and read about this genre.
"The superb performance of Jason Robinson on the tenor saxophone, the superb rhythm Paquito Villa on drums, the solos balanced Carano Joe on guitar and the virtuosity of McGuane and Rob Dick Thorsen on alto saxophone and bass, respectively, made Dijazz Sessions 5 an unforgettable night, "reads the site.
The truth is that jazz diffusion occurs throughout the state, and a concert organized by the same musicians in the Park of Friendship Tijuana or presentation by renowned performers of ICBC in Tecate, Mexicali and Ensenada. Cities where he was one of the leading exponents of Europe: Erik Truffaz Ladyland Quartet and. Likewise, the Cuban Orlando Valle "Maraca" and his Orchestra Otra Vision, according to the schedule of the Fourth Festival in October 2005 with participation in the International Cervantes Festival.
"Unfortunately there are events that can not come to Tijuana because they are large groups there are no spaces" said in an interview the former company of ICBC, Navarro García.
On the other hand, Gallery of the House of Cultural de Tijuana had a season-Cult Jazz Quartet. While La Banda State Music Latin jazz concerts held in the region to celebrate his twenty-eight anniversary. While the quartet Shipyard, Federal District, he taught at the Centro Cultural Tijuana (Cecut) during the festival of jazz, rock and pop, in July.
This answers the question that launched a way to challenge a beautiful black woman: Deborah Davis and a Few Good Men, who were passing through the Cecut as part of the Jazz Ambassadors.
After Dat'z participation Jazz-local group that has been recognized and award-pride Deborah Davis said: "I do not know there was jazz in Mexico." Yes Deborah, fortunately there and quality. And we all applauded and got up to dance with you. And we throw kisses and sighs when we confess that you had no boyfriend. By the way: International Jazz Festival Mexicali. Ah! And the Jazz Festival of the blue city, Ensenada ... But let me.
Erik Trufazz a cool trumpeter who like Miles Davis reinvented and violates the canons of traditional jazz to make your proposal a variant such as your hard The Walk Of The Giant Turtle . Listen to the language of the whale and turtle language is possible in these delicate and full performances of his trumpet and group: electronic environment; groove to dance, breakbeats, funky. In the past the International Cervantes Festival Ladyland Quartet was submitted and noted the presence of Mounir Troudi, Arabic singer.
"Of course I was afraid that the public not accept this album, but they did, for all the world I see more people discovering jazz through our music that jazz fans opened up to other styles, "he said of the criticism that rejects mail on traditional jazz.
maintains its relaxed attitude: "I think every type of music will face rejection by some circles and will be well received in others. I've played in hip-hop circles very tight, although there are always some who accept the jazz. In (on) drum'n bass will always be those who consider that if you are in a predetermined time is not drum'n bass. This is human nature, "concluded
Fall
jazz.
So later this year will hear the best jazz? It is true that there are living spaces and excellent musicians come to Tijuana, but coordination between the authorities of culture are not the best for these coming will be beneficial to a wider audience and promote the entire region, since its original level and ensure satisfactory reception.
"For some, the immediate reference 2003 when it came a major jazz ensemble, was asked the former delegate Cecilia García Navarro.
- "We were working with two major events of jazz here. With two very good international bands. It was called Road to the jazz festival. That actually wants to start each year. This was the first time three days ago and with this number of groups. Previously he was here one called Frank Gambale. We have been trying to let people know.
"What we did on this occasion was to invite groups of the region. And when we started doing We list out over twenty jazz bands. We started to talk with all concrete and twelve, who went to those present. So we had to do in three days and produce four a day, "Navarro Garcia completed.
King Mingus.
Following the cultural conquest, if Jason Robison Trio are the emperors, Charles Mingus is king in his passage through this city. Both memory left its path: Tijuana Moods . And is that Mingus was born in Arizona and crossed to Sonora to see his girlfriend Lee-Marie. Charles Mingus bass studies in Los Angeles, California, and returned to the border when separated from his wife ( Let My Children Hear Music ).
"music on this album, Tijuana Moods , was written during a very sad period of my life. I was without my wife and I decided to run away, to forget her, with an unexpected dream in Tijuana. (...) I chose this experience benefit me musically and I set out to compose and recreate what I felt and looked around me. This included the strippers in one night many salons that are the major industry in Tijuana, "he writes Mingus in 1957.
But not only was the saddest period of his life, but the "Golden Age" of his career. After the decade of the swing and early fifties, dominated by a feeling of disappointment trade leads several jazz musicians to work on a routine.
Mingus works in the mail and incidentally happens to be the bassist and recording engineer of Charlie Parker and Dizzy Gillespie. However, it was distancing itself from bebop, which was the style that was developed to claim music underground that had nothing to do with them and which only benefited the likes of Benny Goodman, who in turn had the best arrangers and instrumentalists African Americans to get that sound of New Orleans ( Charlie Christian Solos) .
Charles Mingus introduces artifacts in the jazz-rhythm changes, static harmony, three times at the same time, rapid changes in gospel and strange noises of the instruments, which were rarely heard but which were rather short time common. Never before been heard as organic parts of masterpieces designated to give the performance an unprecedented freedom within a controlled structure.
Mingus developed these further and introduced features much of his inspiration, endless melodies that evolve in East Coasting albums, Tijuana Moods, Mingus Dynasty Mingus Presents Mingus and , a series that culminates in his Black Saint And The Sinner Lady .

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