The poem Dream [1] used the element water as a transfiguring of the poetic moods. Water is a purifying element of the body, mind, that emerges from somewhere behind to become drowsy and release the emotional burden of memories.
The metaphor of the shadow water means the unconsciousness of sleep, loss of the waking state to enter depth of dreams. It uses the action synonymous with significant shade and sleep, let's see. / The Water of the shadow we naked / / all the memories / / at this sudden immersion / / sleep anticipating the. /
Once fallen into deep sleep suspending reality, stop events that are strange. The first three verses of the second stanza set a paradox that is resolved in the last two verses and a built in image similarity and paranomasia (/ bird /, / flies /, / flight /): / And we were suddenly suspended / / a logical chain of absences / / as the bird flies / / to escape flight that follows. /
is impossible to escape from reality if not for the dream, he says, but, that is, at once forget your real distance in the vicinity of the dream where you appear. We were / suspended / / of a logical chain of absences / A dark line where the individual is in limbo, into nothingness, that place before sleep. Where the logic of what you do not have, because recollection of absence, also lost. But where is also cooked, the unconscious, the new image, the new dream.
It is the liquid element by which the poetic is the cause of liberation for the dream closer to the desire that arises in an unconscious state. They were hard on nights when no sleep and now is a river which passes. It is no longer dive, but that / on the sands of insomnia flows / / the river of my dreams. /
In the dream the man opens the causes to their deeper motivations-restorative sleep, the visionary dream, to find possible answers to the alleged escape consciousness in which they live.
Torres Bodet's Dream reconcile reality with desire a desire that emerges from the dream state and is transformed through the water element to follow a cause and become a river, with the potential to reach a point, a continent that he hopes to expand. The lovers are purified from reality blurred the clear water of new dream.
While the beloved's silence, the silence of distance, absence, paradoxically comes to free memory. That is, the silence, no noise. Silence complementary music, musical pause, silence from where the music. / And your silence is open / / a well cold clear memory, / / \u200b\u200ba hole / / where your images / / is washed from the atmosphere lost. /
The images have been purified, the memory has been freed from its weight to become new amorous desire. The river of dreams followed a cumulative cause and have released the poetic. The silence is called music. But like the dream, music, silence, water resources intangible shadow are looking for their realization.
And there is the question / How music fingers touch? / / Only she could / / return you a way to touch, / / \u200b\u200bto you that you have so many / / avid ear. /
But it is the desire to touch but that memory remains fresh in the memory of a beloved face. Because his memory becomes music. Silence music and it brings the possibility of constructing a memory in your company.
Music is the bond of love between lovers. Music is the key to the poem. Because although it remains intangible, approaches understandable to the ear.
The memory of it is clear from the water shadow dream which appears after the previous atmosphere lava, where it was not for insomnia to appear under the water clarity. Water brings the musicality of the riverbed, musicality that is accompanied by silence, silence becomes music, both tangible to the ear. Graspable form of music that draws a shape, an image, a new face every time the memory stirred up by the lover he recalls, longing and want to keep the dream alive.
slow process in the dream symbols that build their own logic, the logic of dreams, the memory appears renovated with new possibilities for hope of reminding us in the best circumstances and stay alive in living memory each day.
While each day is broken into fragments and the memory is expected to reconstruct the image through the dream, it turns to the music, which remains the image of the face until it becomes blurry again.
Although always available to musical memory and remember the melody associated with a preferred mood.
In the last stanza of the poem takes the parallelism of the idea of \u200b\u200bfreedom, of shadow that follows the subject, but resolves with the idea of \u200b\u200bmusical form as stated. / Only some music / / know to build with the pieces / / in your face many times broken / / new, / / \u200b\u200bthe ineffable face again / / that your dream is slowly emerging. /
So the poetic "I will use music to stir your memory and how to approach the beloved through favorite song until it becomes blurred and wake up again in the dream. Until sleep save the beloved face of a world of unconscious information that lies at the bottom of our mind.
Schema metric
The poem Dream consists of a combination of verse heroic verse asymmetric (9), heptasílabos (7), five syllables (1), trisyllabic (3), bisyllabic (1), ten syllables (3), octasílabos (2), hexasyllabic (2), dodecasyllabic (1). The 29 verses are divided into seven stanzas.
The first stanza has four lines; pentameter, the first, heptasílabo, second, and third pentasyllable that keep pace with accents iambic 2-4-6-8-10, 2 - 4-6, 2-4. While the fourth line has a rate anapaest pentameter, with accents 06/03/1910, corresponding irregularly with the fifth line accented by 3-6. While this is a tester and rhythmic poem, we can observe a regularity in the accents fourth, sixth and tenth. The latter was established as the axis rhythm of the stanzas.
The A gua of the bra som us da nu des
of to two the re Cuer two
in is abrupt ca ta
Commission immersion that anti ci pa of the soil Ño .
And we of da pron to
his pen 're
of or of na na ca ló logic of au sen ences
co mo the to see that vue
the
the
by scale of vue par what if GUE.
Len to
and give of it Rue pu ma,
by a re in som nas of NIO in flu e
the ri or my dream dren.
And you if len price to ber
a zo po cla ro in me mo ria Fri a,
a powder areas
where Nues back and more genes
if to go at the beast millstones per says of.
¿With of which those of mu Music for Car there?
Only the and if the po DRI
Devol see if u in is ma pa ra he tac to,
you to tie nes tas so
pa ra he listen to the coming.
Only it a powder with the mu Music
healthy bri the cons truir with frags men ments
of you without Blanes if mu flat see ro ces to
he nue vo,
the ine fa ros TRO ble new vo
that your dream to Ño is len tá na one hundred do.
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